kiwanoid’s performative works are hard to classify, usually they draw together his triploid life as free contemporary art practioneer, experimental writer and sound artist. his performances confrontate or conciliate sound and text, rigid (pseudo)scientific lecture form, power point theatre, perverted product presentation, references to the theatre of alienation and modernist white cube esthetics. “page x of y” is focused on the contextualization of sound, blind trust in noise and metaphysics of what is missing, of void, of blankness. this performance series are always assisted by twins